【禁聞】藝術家評王羽佳：都是教育惹的禍

【新唐人2011年8月18日訊】有「女版朗朗」之稱的音樂才女王羽佳，最近在加州荷李活露天劇場（ Hollywood Bowl）的一場古典音樂演奏會，一襲橙色露肩短裙，大膽的裝扮讓觀眾感到相當詫異，引發了很大的爭議。大陸藝術家學者認為，共產黨教科書裡沒有傳統道德的規範，造成80後青年對美醜判斷的變異。

8月3號，王羽佳穿著一件緊身露肩的性感橙色短裙，在加州荷李活露天劇場（ Hollywood Bowl）表演古典音樂，雖然她的演奏技巧無懈可擊，不過她這身出格裝扮，被美國《洛杉磯時報》樂評人斯韋德( Mark Swed)批評是「目空一切的古典音樂半機械人」。

斯韋德的評論獲得許多網民的回應，他們認為在古典文雅的場所，王羽佳沒有嚴肅對待，她的穿著完全違背了古典的風格。

大陸二胡演奏藝術家李韻表示，自己在演出中國傳統樂器時，一定會穿著符合中國民族特色的服裝，因為這樣才能符合民族風格。

李韻（大陸二胡演奏家）：「現代80後也好90後也好，因為他們沒有受過中國這種傳統教育，所以她對真正的就是說中國的傳統也不了解，再一個她也不知道因為她也不知道甚麼是真正的美，中華民族真正的美，和現代人所追求的那種所謂的美，它是不一樣的。」（錄音0203∼0237）

曾經是大陸美術學院教授的畫家曹醉夢表示，藝術高於生活，舞臺上藝術的誇張是可以理解的，但藝術的誇張與張揚要在一定的藝術框架內才可以接受。

曹醉夢：「在大陸這種現行藝術的管理下，有很多人用這種醜的藝術來包裝自己，這種審醜心理已經有了結果，比如人的語言、道德、社會意識，我們都看到了，都有了一定結果，在大陸那種光怪陸離的環境下，也確實有人用醜術得到名聲的好處，這種社會文化，用社會學的角度來看，這很可怕的。」

80後鋼琴家王羽佳，6歲開始習琴，7歲已入讀中央音樂學院，15歲入讀美國費城科蒂斯音樂學院，跟朗朗可算是同門師兄妹。

王羽佳曾在 facebook這樣形容自己：「自我中心、不知廉恥的驕傲女王……有潛質成為藝伎」。

李韻：「因為他們就是說，從小生下來她沒有經過中國正統那個傳統文化的教育，他們所接受的都是共產黨編的教科書，它裡邊沒有真正的道德規範是甚麼，孝敬老人是甚麼，應該怎麼孝敬，這個在中國在中共統治這些年，它這些教科書它沒有這些東西。」(錄音0305∼0341)

李韻指出，由於缺乏傳統文化道德的教育，所以80後這些年輕人，他們做出這些事情來，和他們對事物的好與壞的辨別能力也就顯得很差，甚至沒有辨別能力。

新唐人記者李靜、李庭、黎安安採訪報導。

Wang』s Orange Dress

Yuja Wang, boasted to be the female equivalent of Lang Lang,

recently performed at Hollywood Bowl, California.

She wore an orange off-the-shoulder short dress. The dress

astonished audiences and sparked considerable controversy.

There are no traditional moral norms expressed

in Chinese Communist Party (CCP) text books.

Mainland Chinese born in the 1980s are unaware of what is

universally acceptable in the western world.

On August 3, wearing a tight and revealing off-the-shoulder 

short dress, Wang played classical music in Hollywood Bowl.

Although technically impeccable, music critic Mark Swed

from the Los Angeles Times,

said she was “some sort of cocky classical music cyborg”

because of her outrageous dress.

Swed』s comment received much attention from netizens

in China. They think Wang showed no respect or sobriety.

What Wang wore was a completely contrary to classical style.

Erhu artist Li Yun said, when playing the Chinese traditional

instrument, she must wear the national dress to fit its style.

Li Yun: “Whether born in the 1980s or 1990s,

they do not have a traditional Chinese education.

Wang has no idea of real Chinese tradition, and she does not

know what is a real beauty, real Chinese national beauty.

It is different from the beauty pursued by modern people.”

Painter Cao Zuimeng, who used to be a professor at the

Chinese Academy of Arts, said art is higher than life.

Exaggeration of art on stage is understandable, but is only

acceptable when it is restricted within the framework of art.

Cao Zuimeng: “Under the management of current art in the

mainland, many align themselves with this kind of ugly art.

We have already seen the result of appreciation of the

disgraceful, like in language, morality, social consciousness.

Indeed, in China』s bizarre circumstances,

some people gain fame by being disgraceful.

It is horrible from the perspectives of

social culture and sociology.”

Wang was born in the 1980s, learnt piano at age 6,

attended Central Conservatory of Music at age 7,

and entered Curtis Institute of Music in Philadelphia

at age 15. Lang Lang studied at Curtis Institute, as well.

Wang described herself on Facebook as

an egocentric, shameless prima donna...

have the possibility of turning to a geisha.

Li Yun: “Because of the CCP』s text books, she was unable to

accept traditional Chinese culture education.

Those books do not teach what the real moral norm is,

how to show filial piety and respect to elders.

Under the CCP』s rule,

school textbooks do not contain these things.”

Li also pointed out that because of the lack

of traditional culture and moral education,

the young Chinese people of today would do many such things.

Li pointed out that they have little or no sense of right and wrong.

NTD reporters Li Jing, Li Ting and Li Anan